Wednesday, September 23, 2015

The Four Horsemen of the Thames

Viewing and Sketching the Four Horsemen of the Thames

22nd September

The four horsemen here being Jason Decaires Taylor’s Rising Tide – sculpture along the Thames shore just downstream of Vauxhall Bridge / near MI6, pertaining to the Four Horsemen of the Apocalypse, climate change and humans’ carry-on-regardless use of fossil fuels. They're there until the end of this month as part of the Totally Thames festival. This is the latest in a series of underwater / sometimes underwater sculptures he’s created around the world, among them the world's first underwater sculpture park off Grenada in the West Indies. This one is high and dry for a few hours around low tide, though it's vital to know tide times and pick your time. Photos on the Totally Thames website show the horsemen amid varying degrees of submersion by the tide. I needed the tide to be out during the afternoon. Today low tide was around 14:15h BST. A neap tide (coefficient  minus 5%).



Life’s a Beach, someone had chalked on the rusty cover of a pipe coming out in the grey brick wall of the embankment just downstream of the "Duck Boats" slipway.

I got there at about low tide and stayed for nearly two hours sketching beneath the wall of the embankment. I worked in pens, in my lightweight A4 London sketchbook. The middle two riders were young boys; two aloof looking suited men either side of them. In place of the horses’ heads were petrol pumps (the middle two on concrete platforms); the other two nodding donkey oil pumps. All now well high and dry on the largely shingle shore of flint, brick. I picked up a few bits of broken pottery. Figures and animals have never been my strong point. Struggled with the proportions, but easier than usual in that they weren’t going anywhere. I left the shore at 4pm, as the tide was beginning to rise visibly, though still someway to go before it wetted the horses' hooves. By now it was getting chilly. I still had the National Original Print Exhibition to visit downriver at Bankside Gallery. 







Affluents and Effluents

Affluents here being French for tributaries. Near Vauxhall Bridge and MI6, too is the outflow of the River Effra.  Not so much a tributary as a drain - the River Effra Storm Relief Channel. This is one of the Lost Rivers of London, culveted,  and relegated to a drain. It's  all got to go somewhere, yet it’s always a shame when rivers are banished like this. As now, just the last fraction of the stream now seeing daylight, flowing across the Thames shore at low tide. 

Until this evening's sunset behind Chelsea and Albert Bridges glimpsed from the train, the Thames didn't look that inviting either, a sullen grey-brown colour. This turbidity is natural, due to the sediment load and tidal currents. Even knowing that, it didn't look clean. The potential for sewage-polluted storm effluent after the heavy rain is well documented. Bazelgette's Victorian sewerage system is now creeking under the strain of a growing modern city, with the urgent need for expensive upgrade (Costing the Earth - Tunnel Beneath the Thames - BBC Radio 4, 22/02/12)


These are some notes about London's Lost Rivers I made during the summer:

Amid a prolonged, infernally frustrating at times connectivity drought, I’ve been turning again to CDs, live radio and offline digital files, including those quietly recorded on the Bug, mostly 2005 to about 2009 or 2010. Among them, a couple of recordings I made of BBC Radio 3’s Words and Music. One being The South Country. Nothing in there saying who the poets were, Edward Thomas may well have been in there, the focus of many of my Bibliophile's recent readings, on Hampshire. Lots of mention of familiar places, following the line of the South Downs and Oh to be in Hampshire now…Felt quite emotional and a yearning to go back there, though preferably when we’ve had the hard light of midsummer. What with going to France and my post-hols reveries, the Downs have somewhat taken a back seat. Much more pleasant walking on them than pavement pounding along the A27 corridor. I could do with getting my fitness back and losing some flab, too.

Then there was the one on Rivers. They repeated at least a shortened version of this last Christmas Eve, but being Christmas Eve, amid everything going on , I didn’t give it my full attention. It was about all sizes of rivers up to the Mississippi (blues lamenting New Orleans flooding). What struck me most was a reading of UA Fanthorpe’s - Rising Damp , “Beneath our feet they lie low...”. The names of the lost rivers read as a role call of the dead:

Effra, Graveney, Falcon, Quaggy,
Wandle, Walbrook, Tyburn, Fleet

Then at the end, the mythical rivers of the underworld.

This was an apt quote on the Caught By the River site, caughtbytheriver.net (not UA Fanthorpe, ‘A river can sometimes be diverted but is a very hard thing to lose altogether.’
(J.G. Head: paper read to the Auctioneers’ Institute in 1907)

I haven’t found the date the poem was written yet, though UA Fanthorpe was 1929-2009.

After more searching I came across this radio clip from last October: BBC World Service radio clip, 24/10/14 - London's Lost Rivers. London's Lost Rivers: A Walker's Guide Paperback – 8 Sep 2011


The programme was primarily about the most famous lost river, the Fleet, probably the one least likely to be “daylighted”, given it’s been banished beneath a railway line around Kings Cross, busy roads beneath the Holborn Viaduct, not to mention it being a sewer since Victorian times. It featured Tim Bolton, author of the book London’s Lost Rivers

In the broadcast he said, “As the city grew, rivers tended to get in the way [of development]…a problem that had to be solved.”.

It didn’t help their cases either that prior to Bazelgette’s C19th sewerage system, the Fleet in particular, was an open sewer.

Mention of poems about London by Tom Chivers, too – Jacob’s Island (the Neckinger).